As requested, some brief starting points in reply to the relevant synopsis.

‘Artist practice’, studio based, not public.

Engagement needs to be engaging.

Incentives needed to draw in participants.

What do people from the Arts Council ‘identified groups’ find inspiring/ interesting/ engaging?

If artists set up projects around the question “What is public engagement?” How would they transpire?

Question: How do Arts Council England come up with these periodic paradigms?