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FREE SHOW. TO WHOM IT MAY CONCERN: PLEASE FIND GALLERY*AVAILABLE FOR USE. WWW.FIVEYEARS.ORG.UK WWW.FIVEYEARS-UNIT66.BLOGSPOT.COM FOR FURTHER INFORMATION CONTACT: EDWARD-DORRIAN@FIVEYEARS.ORG.UK / Miriam Craik-Horan To: Claire Nichols
Miriam Craik-Horan <akushlabill@hotmail.com> Tue, Jun 17, 2008 at 12:09 PM To: Claire Nichols <nicholsclaire@gmail.com> I couldn’t care to imagine how many of them arrived. How many do you imagine will exist when the take-down is imminent?
Claire Nichols <nicholsclaire@gmail.com> Tue, Jun 17, 2008 at 7:53 PM To: miriam craik-horan <akushlabill@hotmail.com> There of course could, and probably will be, more. But, somehow I find it impossible to imagine the show any differently from how it was when we saw it that first Saturday in June. The works and their positions are ingrained in my memory as a polished background image to our conversation in the gallery. This ‘finish’ makes me think about the general practice of going to see a show - the event / time-based questions that come up in conversation, such as ‘did you see the bit when / with ...?’ - I think most of us will go and see a show only once, just like we might do a round-the-world trip once in our lifetime, travelling through most countries we have selected only once. The repeat visit is reserved for the countries/shows we really have an affinity with, the ones we maybe locate a bit of ourselves in.
-- so the process of addition in “Free Show” interests me, do you think it seeks a before and after viewing?
..Imagining what the show might look like just before take-down is, for me, a bit like imagining what someone I remember, but met only once about ten years ago, might look like now..
Miriam Craik-Horan <akushlabill@hotmail.com> Fri, Jun 20, 2008 at 10:55 AM To: Claire Nichols <nicholsclaire@gmail.com> Imagine she has been away.
When she returned there was an accumulative heaviness. Weather forecasters would cite the language of snow. Upon returning - and entering a place snowed in, covered, concealed and worked - I am aware that the ‘before’ and ‘after’ one of us speaks of is imbued with a kind of dissolution in between. The echoiness of a shy voice amid an assembly hall at school falls upon ears only just as tepid. And what of the louder, brasher children? Who are their friends to be?
Claire Nichols <nicholsclaire@gmail.com> Fri, Jun 20, 2008 at 8:35 PM To: miriam craik-horan <akushlabill@hotmail.com> One on top of the other: in this case a gesture so polite as to be as logical as: one after another.
The brash attention-seeker usually thinks of themself as a comedian, playing on and against a very human resounding board. It’s the steam of one man pushing everyman too far. The logic of their humour is combustion through assimilation, and heirs and graces form part of their spell around the cauldron. What do you think will happen to the relationship of part to whole when work is taken down, one after another? what of the authors who are witnessed removing, and the traces that they leave?
Miriam Craik-Horan <akushlabill@hotmail.com> Sat, Jun 21, 2008 at 12:05 AM To: Claire Nichols <nicholsclaire@gmail.com>
In the hall, with drink. A pear cider in, because its out here not in five years.
But in five years, I imagine, coming in from out here and seeing the stench of fresh -not altruistic fruits- labours, not alcholic. In hand is a cup for milling the ceremonial space. Take to mouth, privately, in public view. Putting one hand on top of the other (one is yours), around the cup and outside it space falls.
On the floor, in five years, large sticky letters from a slip of mouth. A large letter, probably a consonant, takes with it confectionary wallpaper and breaks authorship bread with a curl in its thin lips. They were not to be touched, but made to be. And so the joke goes, and falls on hobbyhorse ears as she rocks. Everywhere she rocks the same ballad, then still under an arm above a pair of legs in blue jeans.
Pear cider, and only a bottle of it. Small part of a whole tree, but more than a whole pear, a part. So, washing my five years cup hand in Pears soap (plural pear, no part fruit) the logic of the relationship of part to whole is disgraced by the nature of my cup. When we talked in the space, rotating like a mill, we contained and defined the fragility of that relationship between the parts. When hands enter back into five years to reclaim and undo, objects start to open into cups when the objects are made impartial to human evaluation. Nice jeans.
Claire Nichols <nicholsclaire@gmail.com> Sat, Jun 21, 2008 at 12:06 PM To: miriam craik-horan <akushlabill@hotmail.com> * I imagine that, as a viewer, sharing sight of the take-down process may be a particularly self-conscious, and perhaps embarrassing, moment. The intentions and the bodies of the viewer and the artist occupy five years simultaneously, misaligned.
Regular exhibition procedures cultivate the upright, polite and expectant viewer-body, and take-down is usually conducted in the privacy of the closed gallery, by the artist or gallerist, dutifully. The first act self-consciously politicises the gaze with respectful distance, whereas the second act mirrors the viewer-body’s perfunctory parade out of the door, at close of play.
At the point the artist is witnessed in the process of removal, the window is conveniently placed for a sideways gaze. View to an outside or an awareness of an inside, with or without air, it is a reliable dynamic.
ALL MESSAGES
You were interested in submitting work for Peer Esteem. Would you be interested in FREE SHOW. From: lulu.allison@talktalk.net Dear Edward Dorrian Yes I would be interested in FREE SHOW. Am I now in FREE SHOW? Are the people who receive this e-mail from me in FREE SHOW too? from Lulu Allison From: edward-dorrian@fiveyears.org.uk I guess they’ll have to participate rather than receive On 7 May 2008, at 17:10, Lulu Allison wrote: Dear Edward Dorrian Yes I would be interested in FREE SHOW. Am I now in FREE SHOW? Are the people who receive this e-mail from me in FREE SHOW too? from Lulu Allison
I’m not sure if this has already gone out.. I would like you to send the FREE SHOW Call for work PDF out as soon as possible. I’ve attached it just in case Thanks Eddy
Hi Eddy, I think normally it would be fine, but the nature of the two shows could Rochelle -Original Message- Rochelle The only issue is that we try and keep mailouts as regular as Check with Marc, but personally I need to give some time for people to Eddy On 7 May 2008, at 09:11, Rochelle Fry wrote: Hi Eddy, If it’s not too late we had second thoughts about sending the two Thanks -Original Message- Rochelle Find attached PAPER Invite PDF with Press Release also is it ok to send out with yours... a FREE SHOW Call for work for my show Eddy
From: marc hulson
Marc Could you send my PDF out on a seperate mailout. But as soon as Cut and paste this if you could...
See attachment for details. If you know anyone else who might be interested please pass on the FREE SHOW. work may be submitted and developed through the show while the gallery 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) FIVE YEARS: edward-dorrian@fiveyears.org.uk Edward Dorrian _________________________________________________________________ From: edward-dorrian@fiveyears.org.uk Sounds like you’re up to the challenge On 7 May 2008, at 22:47, Lulu Allison wrote: when I spot a person participating, you can be sure I will send an e-mail for them to receive If I spot someone who is not participating, well, I will just turn away. Though from here, it may be hard to tell the difference lulu
I guess they’ll have to participate rather than receive On 7 May 2008, at 17:10, Lulu Allison wrote: Dear Edward Dorrian Yes I would be interested in FREE SHOW. Am I now in FREE SHOW? Are the people who receive this e-mail from me in FREE SHOW too? from Lulu Allison From: dh@sensitive.free-online.co.uk sURE eDDY - COMING INTO TOWN TODAY AND WILL CALL OR ARRANGE. IT IS GREAT Hi Denise... Send a postcard...? You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
FREE SHOW.
07/06/08 22/06/08
open Sat-Sun 1pm 6pm
work may be submitted and developed through the show while the gallery
3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm)
PV Fri 06/06/08 6pm 9pm
FIVE YEARS:
UNIT 66 REGENT STUDIOS,
8 ANDREWS ROAD,
LONDON E8 4QN
For all further queries contact:
edward-dorrian@fiveyears.org.uk
mmmmnnn....town? Maybe you can pick up your heads... (I have them in a box... Eddy On 8 May 2008, at 11:21, Denise Hawrysio wrote: sURE eDDY - COMING INTO TOWN TODAY AND WILL CALL OR ARRANGE. IT IS GREAT Hi Denise... Send a postcard...? You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
FREE SHOW.
07/06/08 22/06/08
open Sat-Sun 1pm 6pm
work may be submitted and developed through the show while the gallery
3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm)
PV Fri 06/06/08 6pm 9pm
FIVE YEARS:
UNIT 66 REGENT STUDIOS,
8 ANDREWS ROAD,
LONDON E8 4QN
For all further queries contact:
edward-dorrian@fiveyears.org.uk
From: steinhauser@gmx.net Dear Edward, At the moment, I am in Zurich and I think it would be too expensive if I’d But maybe we could do something in the future! I studies with Michelle On my website, you can find a number of works. Currently I am working on a It would be nice if we could stay in touch! All the best, Am 7.5.2008 15:30 Uhr schrieb “edward dorrian” unter You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
______________________________ Miriam Steinhauser Email: steinhauser@gmx.net http://www.miriamsteinhauser.info
Dear Edward, Initial Header - From : “edward dorrian” edward-dorrian@fiveyears.org.uk You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
FREE SHOW.
07/06/08 - 22/06/08
open Sat-Sun 1pm - 6pm
work may be submitted and developed through the show while the gallery
3 Days setting up is available prior to the show (Wed- Fri 11am - 4 pm)
PV Fri 06/06/08 6pm - 9pm
FIVE YEARS:
UNIT 66 REGENT STUDIOS,
8 ANDREWS ROAD,
LONDON E8 4QN
For all further queries contact:
edward-dorrian@fiveyears.org.uk
From: edward-dorrian@fiveyears.org.uk Well. Send over instructions on how to show. Or give consent to the work being shown however others see fit. Send the postage with the work rather than money. I’m not based at the gallery so I’d rather avoid going backwards and forwards to the post office to pick up unpicked up mail. Maybe you could think of something other than what you usually do?
Dear Edward, Initial Header - From : “edward dorrian” edward-dorrian@fiveyears.org.uk You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
FREE SHOW.
07/06/08 - 22/06/08
open Sat-Sun 1pm - 6pm
work may be submitted and developed through the show while the gallery
3 Days setting up is available prior to the show (Wed- Fri 11am - 4 pm)
PV Fri 06/06/08 6pm - 9pm
FIVE YEARS:
UNIT 66 REGENT STUDIOS,
8 ANDREWS ROAD,
LONDON E8 4QN
For all further queries contact:
edward-dorrian@fiveyears.org.uk
Perhaps you could send something with instructions? Or consent to have whatever shown by others?
Dear Edward, At the moment, I am in Zurich and I think it would be too expensive if I’d But maybe we could do something in the future! I studies with Michelle On my website, you can find a number of works. Currently I am working on a It would be nice if we could stay in touch! All the best, Am 7.5.2008 15:30 Uhr schrieb “edward dorrian” unter You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
______________________________ Miriam Steinhauser http://www.miriamsteinhauser.info From: edward-dorrian@fiveyears.org.uk Perhaps you could send something with instructions? Or consent to have whatever shown by others?
Dear Edward, At the moment, I am in Zurich and I think it would be too expensive if I’d But maybe we could do something in the future! I studies with Michelle On my website, you can find a number of works. Currently I am working on a It would be nice if we could stay in touch! All the best, Am 7.5.2008 15:30 Uhr schrieb “edward dorrian” unter You were interested in submitting work for Peer Esteem. Would you be
See attachment for details. If you know of anyone else who might be
______________________________ Miriam Steinhauser http://www.miriamsteinhauser.info From: daniel@daniel-lehan.com
yes, i would be interested in participating in this show i am, however, involved in a project which would mean that i could not install my work during the period 4th to the 6th of June can i submit work to the show, once it has opened - i would most likely want to make the piece (text based) in the gallery or if this is not possible, could i nominate someone to instal a blank board in the space during the three day period - on which i would then work, once the show was open ?
Daniel On 7 May 2008, at 14:26, edward dorrian wrote: You were interested in submitting work for Peer Esteem. Would you be interested in FREE SHOW. See attachment for details. If you know of anyone else who might be interested pass on the details. FREE SHOW. 07/06/08 22/06/08 open Sat-Sun 1pm 6pm work may be submitted and developed through the show while the gallery is open to the public 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) PV Fri 06/06/08 6pm 9pm FIVE YEARS: UNIT 66 REGENT STUDIOS, 8 ANDREWS ROAD, LONDON E8 4QN For all further queries contact: edward-dorrian@fiveyears.org.uk <FREE.pdf> From: edward-dorrian@fiveyears.org.uk Yes
yes, i would be interested in participating in this show i am, however, involved in a project which would mean that i could not install my work during the period 4th to the 6th of June can i submit work to the show, once it has opened - i would most likely want to make the piece (text based) in the gallery or if this is not possible, could i nominate someone to instal a blank board in the space during the three day period - on which i would then work, once the show was open ?
Daniel On 7 May 2008, at 14:26, edward dorrian wrote: You were interested in submitting work for Peer Esteem. Would you be interested in FREE SHOW. See attachment for details. If you know of anyone else who might be interested pass on the details. FREE SHOW. 07/06/08 22/06/08 open Sat-Sun 1pm 6pm work may be submitted and developed through the show while the gallery is open to the public 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) PV Fri 06/06/08 6pm 9pm FIVE YEARS: UNIT 66 REGENT STUDIOS, 8 ANDREWS ROAD, LONDON E8 4QN For all further queries contact: edward-dorrian@fiveyears.org.uk <FREE.pdf>
Hi Edward, I’s love to show a 15 minute film? Will there be a x From: pathak.bobby@googlemail.com
FREE SHOW Call for work. See attachment for details. If you know anyone else who might be interested please pass on the FREE SHOW. work may be submitted and developed through the show while the gallery 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) FIVE YEARS: edward-dorrian@fiveyears.org.uk Edward Dorrian See attachment for details. If you know anyone else who might be interested please pass on the FREE SHOW. work may be submitted and developed through the show while the gallery 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) FIVE YEARS: edward-dorrian@fiveyears.org.uk Edward Dorrian
Andrea On 9 May 2008, at 19:51, andrea luka zimmerman wrote: Hi Edward, I’s love to show a 15 minute film? Will there be a x
Thrilled? On 11 May 2008, at 20:27, Bobby Pathak wrote: Hi Edward From: edward-dorrian@fiveyears.org.uk Andrea On 9 May 2008, at 19:51, andrea luka zimmerman wrote: Hi Edward, I’s love to show a 15 minute film? Will there be a x
Douglas Park, born: 23-01-’72, On 12 May 2008, at 01:54, Douglas Park wrote: Douglas Park, born: 23-01-’72, From: douglasrpark@hotmail.com
thanks for considering me. dunno / depends if / what i might / will do. shall see whether anything comes to me then report back, yours, douglas Douglas Park, born: 23-01-’72, United Kingdom, visual artist, writer (of literary prose and critical essays, both mostly art connected), sometime exhibition curator (and increasingly all practices and roles combined), currently U.K based and internationally active douglasrpark@hotmail.com http://www.myspace.com/douglas_park Work online: http://www.anthology-of-art.net/inside/index.html (go to “Contributions A-Z” and “Generation 22/26”, then click on “multi-purpose racetrack” for ‘Sightseeing Mission’) http://www.kunstonline.info (find “Philip Huyghe” in “Persons”, then in “Biblios” go to “2003” for ‘Babushkoid Hibernatorium’ text) http://neurhome.free.fr/projects/D-Park/restrictedaccess http://neurhome.free.fr/projects/D-Park/dream-key http://charlie.youle.free.fr/newopportunities/microcolonial.htm http://slashseconds.org/issues/001/001/articles/05_dpark/index.php http://www.ryslavy.com/maingreen_fr01.html (then “Recent texts”, for “Woodland” etc) http://www.airantwerpen.be (relevant work should be back there soon -alongside more examples) http://www.clickanywhere.crisap.org (move cursor around for “douglaspark” -perhaps also visit other contributor’s work as well / instead) http://www.smallwonderfound.org/webpages/multipoint-us.html http://slashseconds.org/issues/002/001/articles/dpark/index.php http://sarapessoa.com/By%20Douglas%20park.htm http://slashseconds.org/issues/002/003/articles/dpark/index.php http://www.smallwonderfound.org/commotion.1/com-lenadoug1.html Thanks Marc PS Eddy
The message below came through today - will leave it with you... I imagine we From: rebecca wilson <rebeccawilson10@googlemail.com>
Rebecca Wilson
Read Saatchi Online?s Daily Magazine for news,
FREE SHOW Call for work. See attachment for details. If you know anyone else who might be interested please pass on the FREE SHOW. work may be submitted and developed through the show while the gallery 3 Days setting up is available prior to the show (Wed- Fri 11am 4 pm) FIVE YEARS: edward-dorrian@fiveyears.org.uk Edward Dorrian From: charlietuesdaygates@hotmail.co.uk Dearest Edward Dorrian, From: dh@sensitive.free-online.co.uk
xoD
Dearest? Heavily? Wonderful? Good? On 13 May 2008, at 12:45, Charlie Tuesday Winner Gates wrote: Dearest Edward Dorrian, Get fish-slapping on Messenger! Play Now <CharlieGates1.jpg><DSCF9004.JPG><DSCF9007.JPG> Sure Eddy x
xoD From: edward-dorrian@fiveyears.org.uk Rebecca Edward Dorrian From: marc hulson
Do either of you remember what the dimensions of the gallery are?
I am a student at the Rietveld Art Academy in Amsterdam. The free exhibition sounds interesting. Friendly greetings, J A B U! Dear Edward, I’m intrigued about your next show at Five Years, please could you send me info on how to submit work. Many thanks, Kirsty Harris. Well... Edward Dorrian On 14 May 2008, at 10:15, Jabu A. wrote: Hello Edward, I am a student at the Rietveld Art Academy in Amsterdam. The free exhibition sounds interesting. Friendly greetings, J A B U! Express yourself instantly with MSN Messenger! MSN Messenger The show is open to anyone… regardless… However please read the instructions carefully. You (or someone you nominate) must install and remove your work on the days specified. The gallery is small. Space is limited. This is part of the show. How you negotiate limitations with others. www.fiveyears.org.uk Edward Dorrian Dear Edward, I’m intrigued about your next show at Five Years, please could you send me info on how to submit work. Many thanks, Kirsty Harris. All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ From: francisjmason@googlemail.com To Edward Dorrian at Five Years, I would like to take part in your free show. If this is possible, and if there is an application, or any other Thanks, Francis Mason. From: s.j.joplin@hotmail.com
From: edward-dorrian@fiveyears.org.uk Simon, thanks for the images... I’d advise you to visit the space while there is a show on.
Edward Dorrian
Rebecca You asked whether we had the invite to submit work for show in word? Please find both attached + jpg Edward Dorrian
From: edward-dorrian@fiveyears.org.uk From: edward-dorrian@fiveyears.org.uk From: edward-dorrian@fiveyears.org.uk Can you pass this information (PDF) on to anyone who might be interested? edward-dorrian@fiveyears.org.uk From: mail@shanewaltener.com Hi Edward Meant to respond to it earlier. Would love to participate. Am at the Basel Art Fair until the lat day of set up, so would love to come then and make an intervention at the show, maybe even a participatory event at the opening. I’m thinking sugar graffiti. Can’t be much more specific at the mo, but the attachment will give you some ideas. There are some images on the website of sugar graffiti projects in Berlin and Amsterdam. Back next week from Italy, so hopefully speak then. Have passed on the invitation to a couple of people as well. Best, Shane mail@shanewaltener.com Shane
Get Started!: From: piers.jamson@btopenworld.com Hello Edward, Regards, Piers. Tell you what Ash Hello Edward, Get Started! Dear Edward Are you able to provide some information about space for this show? It is not too worrying if you cannot or wish not. do you wish to see a submission of a specific piece of work? Or anything? Best, Lulu Allison From: heike.kelter@t-online.de Hallo Edward Thank you for your FREE SHOW Call for work ! looking forward to hear from you From: edward-dorrian@fiveyears.org.uk Heike
Please do contribute. Bare in mind the size of the space and the possible overwhelming response to a show without theme or selection. We have been insisting that people are responsible for installing their own work. This will be the issue of this show. How do you negotiate your work with others? If you can’t come over in person then it may be possible to place your work to your ideal specification, but allow its final placing to be determined by others. I have no intention of dictating terms other than the outlining instructions given to everyone. Its up to you if you wish to participate
Eddy Hallo Edward Thank you for your FREE SHOW Call for work ! looking forward to hear from you Lulu The best thing to do is come and see the space while the current show is on. I don’t need to see what you want do. But it might also be helpful to think about how your work may affect and be affected by what others do. Your the first person to actually ask for measurements... Here they are approximately in feet: W-10 L-15 H-9 approx. Eddy
Dear Edward Are you able to provide some information about space for this show? It is not too worrying if you cannot or wish not. do you wish to see a submission of a specific piece of work? Or anything? Best, Lulu Allison
If by curate you mean select... then no, I’m not curating. The show is open to anyone… regardless… As you know the gallery space is limited! This is part of the show. How you negotiate with others in person…this too is part of the show. The show can change/evolve through these negotiations. If these are conventions that you can work with then the show will operate conventionally for you. On 17 May 2008, at 19:39, piers jamson wrote: Hello Edward, Regards, Piers. From: laurawalpole3@hotmail.com
I had an email from my tutor Patty Ellis about a show your organising... wasn’t too sure what to do so I have attached 3 images of my work Kind Regards Laura _________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ From: edward-dorrian@fiveyears.org.uk Heike On 19 May 2008, at 20:29, Heike Kelter wrote: Edward Thank you! best Am 19.05.2008 um 21:08 schrieb edward dorrian: Heike Please do contribute. Bare in mind the size of the space and the possible overwhelming response to a show without theme or selection. We have been insisting that people are responsible for installing their own work. This will be the issue of this show. How do you negotiate your work with others? If you can’t come over in person then it may be possible to place your work to your ideal specification, but allow its final placing to be determined by others. I have no intention of dictating terms other than the outlining instructions given to everyone. Its up to you if you wish to participate
Lulu The best thing to do is come and see the space while the current show is on. I don’t need to see what you want do. But it might also be helpful to think about how your work may affect and be affected by what others do. You’re the first person to actually ask for measurements... Here they are approximately in feet: W-10 L-15 H-9 approx. Eddy
Dear Edward Are you able to provide some information about space for this show? It is not too worrying if you cannot or wish not. do you wish to see a submission of a specific piece of work? Or anything? Best, Lulu Allison If by curate you mean select... then no, I’m not curating. The show is open to anyone… regardless… As you know the gallery space is limited! This is part of the show. How you negotiate with others in person…this too is part of the show. The show can change/evolve through these negotiations. If these are conventions that you can work with then the show will operate conventionally for you. On 17 May 2008, at 19:39, piers jamson wrote: Hello Edward, Regards, Piers. From: laurawalpole3@hotmail.com
I had an email from my tutor Patty Ellis about a show your organising... wasn’t too sure what to do so I have attached 3 images of my work Kind Regards Laura _________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ From: edward-dorrian@fiveyears.org.uk Heike On 19 May 2008, at 20:29, Heike Kelter wrote: Edward Thank you! best Am 19.05.2008 um 21:08 schrieb edward dorrian: Heike Please do contribute. Bare in mind the size of the space and the possible overwhelming response to a show without theme or selection. We have been insisting that people are responsible for installing their own work. This will be the issue of this show. How do you negotiate your work with others? If you can’t come over in person then it may be possible to place your work to your ideal specification, but allow its final placing to be determined by others. I have no intention of dictating terms other than the outlining instructions given to everyone. Its up to you if you wish to participate
mmmmnnn... I’d advise you to visit the space while there is a show on.
www.fiveyears.org.uk
Edward Dorrian On 19 May 2008, at 20:40, laura_adele walpole wrote:
I had an email from my tutor Patty Ellis about a show your organising... wasn’t too sure what to do so I have attached 3 images of my work Kind Regards Laura _________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/<lula2.jpg><lula3.jpg><lula4.jpg> From: piers.jamson@btopenworld.com From: pcillustrator@hotmail.com
I’m very interested in submitting a piece in the upcoming show. I was wondering if you could give me a bit of background information. Has there been a show before? Thanks, Peter Collins www.collinspeter.com From: edward-dorrian@fiveyears.org.uk Peter Yes Hope this is of some use PS I’d advise you to visit the space while the current show is on On 20 May 2008, at 15:08, peter collins wrote:
I’m very interested in submitting a piece in the upcoming show. I was wondering if you could give me a bit of background information. Has there been a show before? Thanks, Peter Collins From: paulsakoilsky@mac.com Hi Edward I have an idea of setting up a small ‘dark times press office’ in the space? the next full blown ‘press office’ will be in a gallery in frankfurt pv sept 19th.... let me know. you can find a few pics of the dts and dtpo’s here: best wishes Dear Edward I am contacting you with regards the Free Show at Five Years. I would very much like to participate. I have attached some images of previous work, though realise it is an open submission. Could you please send any more information you think may be of use, such as the curatorial concept and context of the submitted work. Many thanks, Sarah Hughes e: musicalgoose@gmail.com From: edward-dorrian@fiveyears.org.uk The curatorial concept is very much stated within the terms and condition of the show. Context of the submitted is determined by participation. The question of how that participation is tempered will have to be defined by those submitting work.. Visit the space while the current show is on. On 21 May 2008, at 19:03, sarah hughes wrote: Dear Edward I am contacting you with regards the Free Show at Five Years. I would very much like to participate. I have attached some images of previous work, though realise it is an open submission. Could you please send any more information you think may be of use, such as the curatorial concept and context of the submitted work. Many thanks, Sarah Hughes e: musicalgoose@gmail.com I’m not going to be selecting work. And I’m not going to be solely responsible for placing work. Bring whatever plans you have to the gallery on the days specified, and we can take it from there... I would say that obviously you do have to consider space and the work of others...
Hi Edward I have an idea of setting up a small ‘dark times press office’ in the space? the next full blown ‘press office’ will be in a gallery in frankfurt pv sept 19th.... let me know. you can find a few pics of the dts and dtpo’s here: best wishes
I’m not going to be selecting work. And I’m not going to be solely responsible for placing work. Bring whatever plans you have to the gallery on the days specified, and we can take it from there... I would say that obviously you do have to consider space and the work of others...
Hi Edward I have an idea of setting up a small ‘dark times press office’ in the space? the next full blown ‘press office’ will be in a gallery in frankfurt pv sept 19th.... let me know. you can find a few pics of the dts and dtpo’s here: best wishes From: r_evolution@hotmail.co.uk Hi Edward-Dorrian, Messenger’s gone Mobile! Get it now! Read the directions carefully. If you don’t know what the space is like you better have a look while the current show is on. www.fiveyears.org.uk
Messenger’s gone Mobile! Get it now! From: edward-dorrian@fiveyears.org.uk Mike a homogenised mass of what may well be second rate artists Edward Dorrian
From: edward-dorrian@fiveyears.org.uk FREE SHOW. HAVING A TALENT IS NOT ENOUGH: ONE ALSO REQUIRES YOUR PERMISSION FOR IT - RIGHT, MY FRIENDS? 2 Friedrich Nietzsche 1, Aphorism 151, Sprüche und Zwischenspiele [Epigrams and Interludes], WWW.FIVEYEARS.ORG.UK WWW.FIVEYEARS-UNIT66.BLOGSPOT.COM
Hallo Edward
!! Am 28.05.2008 um 23:17 schrieb edward dorrian: <FREE SHOW PR.pdf> From: heike.kelter@t-online.de Dear Rodney Kisses Am 28.05.2008 um 23:17 schrieb edward dorrian: <FREE SHOW PR.pdf> From: heike.kelter@t-online.de Dear Edward Rodney latourelle and rene Luckhardt are very good artists.. Best Heike From: edward-dorrian@fiveyears.org.uk Turn up in the gallery and we can discuss.. if you feel you want to send a proposal you can do that too... Eddy On 29 May 2008, at 18:04, Ana Cavic and Renee O’Drobinak wrote:
? a v i ? & o ‘ d r o b i n a k . . . . .
From: edward-dorrian@fiveyears.org.uk You can submit throughout the show, while the gallery is open to the public Dear Edward, Will you be doing any more free shows? I’d love to take part but I’m currently doing work experience and struggling with deadlines and I’m not sure if I’ll have the time to submit by Sunday. I’d love to be involved in the future though, if any more shows will be happening. Thanks, Amy. From: edward-dorrian@fiveyears.org.uk Well, if you think its possible... Prepare yourself and consider the On 30/05/2008, Jennie Holloway <jennieholloway2004@yahoo.co.uk> wrote:
Thanks for your response and consideration. I am also aware that your gallery is available for the period: 04/06/08 06/06/08 11am-4pm (Wed-Fri ) Three days access prior to opening 07/06/08 22/06/08 1pm-6pm (Sat & Sun only) Show open to public We would be interested in talking part in this if possible. I would be Thanks again, Janina - On Fri, 30/5/08, edward dorrian <edward-dorrian@fiveyears.org.uk> wrote: From: edward dorrian <edward-dorrian@fiveyears.org.uk>
On 30/05/2008, Jennie Holloway <jennieholloway2004@yahoo.co.uk> wrote:
We, a group of 4 sculptors, are very interested in showing at your Please find attached an exhibition proposal, images of our work and Thank you for your time and consideration. Kind regards, Janina Holloway
From: edward-dorrian@fiveyears.org.uk Read the directions carefully. Imagine that many others will do the On 30/05/2008, ingrid berthon-moine <ingridbm@btinternet.com> wrote: I have heard through the grapevine that Five Years is organising a free Thank you. Best, Ingrid Berthon-Moine Criteria... On 30/05/2008, MICHAEL WATSON <mwat20@hotmail.com> wrote: Hi Edward, what are the criteria for the free show? All the Best Mike ________________________________ From: edward-dorrian@fiveyears.org.uk Sent this to you and Hugh ages ago Seems it bounced back Liked your show Eddy Sounds great - but I don’t want to end up with a cauliflower ear. I am happy to have work interfered with but may pretend otherwise, just for the sport. Well... we both seem to be expecting the possiblity of a scrum... come On 01/06/2008, Lulu Allison <lulu.allison@talktalk.net> wrote: I would like to come and put in some work, not sure what, but something Best, Lulu From: edward-dorrian@fiveyears.org.uk Well he can put something in all the way up till the end if he wants
From: edward-dorrian@fiveyears.org.uk Why don’t you come to the gallery on one of the dates outlined in the attachment?.. before you submit work, or begin to think about how you can work with the idea of the show.
Hi, Kirsty Harris, just told me about your show ‘free show’ and I’d like to bring something along, just wondered what the details were, when to bring etc, also any size limits,
all the best mate david porter.
www.myspace.com/davidporterse1 Sent from Yahoo! Mail. From: davidporterse1@yahoo.co.uk
david
On 7 Jun 2008, at 03:33, david porter wrote: The show looks great, well done, here are some pictures that I took feel free to use them if you like all the best David Porter Sent from Yahoo! Mail.
attached is briefcase gallery information.
Georgie ________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ From: edward-dorrian@fiveyears.org.uk Georgie On sober reflection... would it be possible to coincide what you were proposing with the last day of Free Show? We haven't heard back from Alex yet , but Marc was thinking that we might need that weekend to set up the next show after all. What do you think? Eddy From: edward-dorrian@fiveyears.org.uk Georgie Thanks for the information Marc, on further reflection would like the weekend we suggested you could have to set up the next show. What I would like... if you could agree... would be to hold your event on the last day of FREE SHOW. 22/06/08. It would be your appropriation of the gallery and could be seen as a collaboration of sorts... where you make use of the gallery rather than merely having us host.... Something mutually beneficial. Personally I think it could work consistently with the ideas you are proposing… a kind of direct intervention. The show on that day will be disassembled and I was going to have the bar open anyway… could be fun? Hope you can agree…
Eddy From: georgie_manly@hotmail.com
On 28/5/08 10:15 pm, "edward dorrian" <edward-dorrian@fiveyears.org.uk> wrote:
Best, From: lulu.allison@mac.com I hope that the show is going well. I will be away most of next weekend unfortunately, as I'd hoped to come and mess with my work some. Here's hoping someone else does instead! It was good to meet you. I would be glad to take part in future projects. Keep in touch, best, Lulu x lulu.allison@mac.com
Your page is now up and running, and listed in the e-bulletin which is currently being dispatched to over 9,000 subscribers. We apologise again for the breakdown in communication and wish you all the best with your project. We hope that you find criticalnetwork to be of use and of interest, and that you will continue to supply us with information relating to your future work. Please do not hesitate to provide us with feedback or contact us with queries. Best wishes, criticalnetwork
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Bring whatever ideas you have to the gallery while the show is open. Implement them.
Dear Edward, Do you still have space at the gallery? My band/collective Keshco would like to do a mini-retrospective featuring various drawings (album covers, flyers etc), also we have little miniature sets/characters from animations and possibly some audio works to exhibit using Walkmans. We've got lots of video clips which we could put onto a DVD loop, if the players are still free? Hope to hear from you soon, Andy
www.myspace.com/keshco
___________________________________________________________ 25% off Tiscali SpyGuard from Sana only from Tiscali From: edward-dorrian@fiveyears.org.uk FINE... From: edward-dorrian@fiveyears.org.uk Heike On 9 Jun 2008, at 20:43, Heike Kelter wrote: Hallo Edward whanted to send a small nice painting but got very ill and couldn`t get it from the other exhibition it was in.
You`re always wellcome to call when youre in Berlin
Heike From: edward-dorrian@fiveyears.org.uk YES PLEASE
Eddy Get Started! So nothing came to you? From: douglasrpark@hotmail.com
you just caught / missed me! ive been back (from belgium and the netherlands) since saturday. sorry i ended up not doing / contributing anything for 'free'. honestly considered it as best i could. lame excuse = recent creative block (re: anything new) and having (too) much to contend with. hope 'free' / everything else went / goes well / even better though. yours, douglas might you be up / mad / keen for this later 2day?.... douglas park reading, goldsmiths college, thursday june 12th, 8pm? this thursday, 12th june, at 8pm, i read a new text for ilona sagar as part of her graduation show in studio b2, goldsmiths college, university of london, lewisham way, london se14 6nw the private view is from 6 until 9 pm. yours, douglas Douglas Park, born: 23-01-’72, United Kingdom, visual artist, writer (of literary prose and critical essays, both mostly art connected), sometime exhibition curator (and increasingly all practices and roles combined), currently U.K based and internationally active douglasrpark@hotmail.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000007ukm/direct/01/ My own preferences and enthusiasms shouldn't really effect this show... It's up to you to respond in whatever way you see fit in accordance with the others showing.... You don't need permission do you? On 12 Jun 2008, at 10:45, Charlie Tuesday Winner Gates wrote:
Love from So... that's a no longer interested? Good luck with your show.
http://clk.atdmt.com/UKM/go/msnnkmgl0010000002ukm/direct/01/ From: edward-dorrian@fiveyears.org.uk Maybe there's something wrong with your email.... I replied to you 12 May 2008 19:44:45 BST All the best
Hi Edward
Why not collaborate? From: edward-dorrian@fiveyears.org.uk Would you no longer like to participate? Or? On 12 Jun 2008, at 07:23, sarah hughes wrote: hi edward, unfortunately i wont be able to make it to the free show, an unexpected family visit to wales at the weekend has left me catching up on work for the whole week. Disappointing as i was rather looking forward to it. Do you have any similar plans in the future? I hope all is going well, and apologies for not contacting you xx -- e: musicalgoose@gmail.com From: edward-dorrian@fiveyears.org.uk No similar plans From: edward-dorrian@fiveyears.org.uk Non... On 12 Jun 2008, at 15:13, ingrid berthon-moine wrote: Or... I have been very busy with work and deadlines and did not find the time to come to the gallery. I guess it is too late now non? On 12 Jun 2008, at 01:39, edward dorrian wrote: So I take it that you don't want to show? Or? On 30 May 2008, at 16:35, ingrid berthon-moine wrote: Hi Edward, I have heard through the grapevine that Five Years is organising a free exhibition. I was wondering if there were any conditions to enter it and if no, what is the procedure to take part in it. Thank you. Best, Ingrid Berthon-Moine From: edward-dorrian@fiveyears.org.uk Something must've gone awry because I replied to your email: 12 May 2008 19:43:13 BST
Andrea From: edward-dorrian@fiveyears.org.uk I've sent you this attachment before, what further details do you want? On 12 Jun 2008, at 11:29, peter collins wrote:
Can you send me further details please? Cheers, Are you no longer very interested interested in submitting a piece in _________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ No plans to repeat... On 12 Jun 2008, at 09:36, Jabu A. wrote: hi Edward, > From: edward-dorrian@fiveyears.org.uk
From: az@visionmachine.org the email must have gotten lost somewhere...great, will come saturday, looking forward. Sorry... rules are rules... While the public avail... themselves Ahem, would it be possible to come tomorrow afternoon and hang something? oui?
Non... Or... I have been very busy with work and deadlines and did not find the time to come to the gallery. I guess it is too late now non? On 12 Jun 2008, at 01:39, edward dorrian wrote: So I take it that you don't want to show? Or? On 30 May 2008, at 16:35, ingrid berthon-moine wrote: Hi Edward, I have heard through the grapevine that Five Years is organising a free exhibition. I was wondering if there were any conditions to enter it and if no, what is the procedure to take part in it. Thank you. Best, Ingrid Berthon-Moine From: r_evolution@hotmail.co.uk Yes of course, and thanks for the reply. Life been a bit distracted by rough ground... I've misplaced the flyer that I had though, Perhaps you wouldn't mind sending me another as an attachment? I look forward to getting involved. Thanks again Dorian, Taren tarenvegas.blogspot.com
Miss your Messenger buddies when on-the-go? Get Messenger on your Mobile! From: edward-dorrian@fiveyears.org.uk I'm very interested in submitting a piece....? Ah well... No opportunity to leave it to viewers to find their own connections. Regards
Regards,
I've sent you this attachment before, what further details do you want? http://clk.atdmt.com/UKM/go/msnnkmgl0010000002ukm/direct/01/
Can you send me further details please? Cheers, Are you no longer very interested interested in submitting a piece in _________________________________________________________________ All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ Fair enough... but this show is not being ring-mastered... at least it shouldn't... the point is and I''ll repeat this... find your own way of working with others... directly. You seem to want to be allowed to show. The terms of the show state simply that all work will be presented. No one can change or remove your work without your consent. You are responsible for your work. Not me. In fact on those occasions where people have been in the space together, they seem to respond to each others work... and you'll like this word... positively On 13 Jun 2008, at 10:27, Charlie Tuesday Winner Gates wrote:
My own preferences and enthusiasms shouldn't really effect this show...
Love from So... that's a no longer interested? Good luck with your show.
http://clk.atdmt.com/UKM/go/msnnkmgl0010000002ukm/direct/01/
All new Live Search at Live.com http://clk.atdmt.com/UKM/go/msnnkmgl0010000006ukm/direct/01/ From: edward-dorrian@fiveyears.org.uk I'll do my best to follow your instructions... There may be a rush on the players... something'll be cobbled best we can On 13 Jun 2008, at 16:02, michael Curran wrote: Saw the show yesterday! > From: edward-dorrian@fiveyears.org.uk
From: edward-dorrian@fiveyears.org.uk OK OK sorry about that... my mistake... Anyway just before you finally go... could you tell me how you knew about submitting a piece in the upcoming show? On 13 Jun 2008, at 12:31, peter collins wrote:
I'm very interested in submitting a piece....? Ah well... No Regards
Regards,
I've sent you this attachment before, what further details do you http://clk.atdmt.com/UKM/go/msnnkmgl0010000002ukm/direct/01/ _________________________________________________________________ http://clk.atdmt.com/UKM/go/msnnkmgl0010000002ukm/direct/01/ From: jennieholloway2004@yahoo.co.uk
After re-considering the terms of the open exhibiton at 5 Years this month we did decide not to take part. However, our original proposal for a group show still stands.
I apologise for not getting back to you sooner.
Thanks, Janina --- On Thu, 12/6/08, edward dorrian <edward-dorrian@fiveyears.org.uk> wrote: So I take it that you're not interested? Or? Sent from Yahoo! Mail. Good luck with your other professional shows. Sorry you no longer found this to be an opportunity offering the perfect chance for you to get your work seen by a wider audience. Hope your degree show went well... I'm sure it did. On 13 Jun 2008, at 10:28, Si Joplin wrote: > From: edward-dorrian@fiveyears.org.uk Get 5GB of online storage for free! Get it Now!
Making three on site... Paint Paper Whatnot... sounds fabulous... although my personal tastes thankfully are immaterial Do what you can while the gallery is open to the public this weekend and the next see jpg for dates
Hi Edward paulsakoilsky@mac.com On 12 Jun 2008, at 01:52, edward dorrian wrote: Do you no longer wish tof set up a small 'dark times press office' in the space? From: edward-dorrian@fiveyears.org.uk Mmmnn… The tone seems a little too barbed… sorry about that…
i wasnt aware that i had kept sending you stuff if you mean Daniel On 13 Jun 2008, at 00:37, edward dorrian wrote: I mean the show is open so that you can do whatever it was you said you wanted to do... On 12 Jun 2008, at 17:21, Daniel Lehan wrote:
best wishes Daniel On 12 Jun 2008, at 02:21, edward dorrian wrote: The show is open. From: edward-dorrian@fiveyears.org.uk Not at all she was a star!
Hi Edward, Nice to meet you this afternoon. I apologise again for Amber and her 'strawmania', hope it wont be noticed. See you next Sunday.
Thanks. And thanks for your patience.... sorry you couldn't show... "Saw the show yesterday! Good luck with your work...
From: edward-dorrian@fiveyears.org.uk Yes, that is correct On 14 Jun 2008, at 13:15, georgie manly wrote:
would it be possible for 5yrs to do a mail out about the event? would 6 till 9 be ok? usual p.v time.
Hi Edward, Really nice to see you today, if only through my hayfever gaze.... attached is the text for the film Til soon XxxA
did you want me to write an email which i would forward? if you dont have time to do it do you think alex could do it? i hope you get this in time. georgie Georgie If you want your information to be sent out on our mailout, you'll have Thanks Eddy
It was one of my poems... Maybe I'll try again next sat Sx
You know you shouldn't feel excluded... From: edward-dorrian@fiveyears.org.uk Feel free to submit (more) work. From: edward-dorrian@fiveyears.org.uk It's not too late to submit From: lulu.allison@talktalk.net Dear Edward Is that "M" in a James Bond sense? I hope it's the one who works for the secret services. Will try to get up this week - or is there only weekend accessibility? Best, Lulu
Hi Edward, I hope you're well. Miriam and I (came in on the first Saturday for an hour or two!) are working on a collaborative piece of text to be timed with the 'take-down'. I think your observation that our conversation might have been a part of the work was, in retrospect, true -- and I like that some of that was caught on tape and that some fell into the technological 'gap'! Looking forward to seeing how the show has developed. -- From: great_tyrant@hotmail.com Sunday? More Recorded Discussion? > To: great_tyrant@hotmail.com Get 5GB of online storage for free! Get it Now!
Dear Edward, ----Messaggio originale----
I'm just back... Eddy
did you want me to write an email which i would forward? if you dont have time to do it do you think alex could do it? i hope you get this in time. georgie From: charlietuesdaygates@hotmail.co.uk
Feel free to submit (more) work. 'Saw the show yesterday! Some real gems in there.' _________________________________________________________________ http://clk.atdmt.com/UKM/go/msnnkmgl0010000007ukm/direct/01/ From: daniel@daniel-lehan.com
in the end, i wasn't able to participate, because of other commitments, which is a shame, as i gave it some thought as to what might suit the show with best wishes Daniel On 13 Jun 2008, at 23:28, edward dorrian wrote: Mmmnn… The tone seems a little too barbed… sorry about that…
i wasnt aware that i had kept sending you stuff if you mean Daniel On 13 Jun 2008, at 00:37, edward dorrian wrote: I mean the show is open so that you can do whatever it was you said you wanted to do... On 12 Jun 2008, at 17:21, Daniel Lehan wrote:
best wishes Daniel From: mail@shanewaltener.com Hi Ed Never got round to come back to the space during the free show, or even take the work down. Apologies for this. Time just flies by. Best with this next exhibition. Try make it to this one... Laters, Shane
Please remove me from your mailing list.
From: pathak.bobby@googlemail.com
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ARTISTS: LULU ALLISON |
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The idea of a Free Show… umm… was simple. Simple enough. The instructions explain what needs to be understood. Practically. Participation is free. Free to all. Regardless. There are of course rules. But. And crucially here, the gesture is towards consent. Perhaps this won’t work. Allowing others what amounts to clause protection. Ourselves and our work. From what? From certain discussion made between participants. Predictably the show becomes an opportunity to show work without censure… arbitration… that is without someone saying the work is not good enough. This is never said by the artists… Bringing work for show. Indeterminate. Sentence. The length of which depends on the prisoners conduct. Uncertain and also contingent. Possible happening by chance or unforeseen causes. Unpredictable… intended for use in circumstances not completely… foreseen. Dependent on… or conditioned by something else… not necessitated… determined by free choice… demands from each artist a certain responsibility. A relinquishing of… consent. In what sense? Do they work willingly? We work willingly… are happy enough to respond within the rules. We are never asked to provide good work. Chance. Relies on trust… a trust in the overall… construction… system… proves problematic… To have a system, this is fatal for the mind writes Schlegel, Not to have one, this too is fatal. Whence the necessity to observe, while abandoning, the two requirements at once. No one says a bad word to the face. And what isn’t working well… what skips along… content with… blustering embarrassment… in mediocrity… sits awkwardly akin… paradoxically… to the way we strive to do wrong… you know the form… the manner… those group shows… Yes, yes that really works… or… it needs to somehow look wrong… Of course there is wrong proper. It’s very difficult. And you can’t be sure… whether you have done the right thing. Yes the question is if you would like to be sure. But the show cannot be ignored. (laughter) For those who pick up and read it’s little calling card… a refusal to participate is an act of… recognition. Je est un autre… Etc. I see only from one point, but in my existence I am looked at from all sides. So things in the end may be divided. Split. Etc. Those who see the invitation. And those who don’t concern themselves… refusing… somehow… boredom… through tired abject weariness… indifference… perhaps the gallery is too… the horrible probability of showing next to… powerless to defend against… poisoned by… too much… too unprofessional… too troublesome… too inappropriate… context all wrong… properly wrong. Or others who… confessed… who came with every intention … and then left without… There can or will be no proper permission given for participation. This is all to the idea. We have to accept that free defined in this way forces us… jeopardizes personal taste. Contingency. (laughs) The point. Not everyone copes. And there were those who willingly… participated… Fought to get in early before the space was filled up. Brought whatever they could to give a bit of a show to their talents… sorry… Our… talents… Fitted into the space left by others. Saying how happy they were. No one really wanted to move anybody else’s work even though most didn’t mind their work being moved. Altering and changing other’s work seemed very much out of limits. Even for those who specified that they were happy to have their work altered. Working in the space over time… over and above the time taken to place (nail, screw, glue) for those who stayed for the day… painting, cutting out paper… developing conversational messages… from one weekend to the other… or allowing the recording of one performance to underscore future events. Imagining the viewer. Passing by chance. In the end everyone returned to remove their work in full view. As with the above… to be recorded. We accept the fact. That promises of whole-hearted, thrilled interest will be and are reneged… And that the removal of work in person… during show time… offers one last chance to be caught… captured in the field of vision… In the sight of… if not one’s parents. Claire Nichols concludes her piece for Free Show writing to Miriam Craik-Horan: I imagine that, as a viewer, sharing sight of the take-down process may be a particularly self-conscious, and perhaps embarrassing, moment. The intentions and the bodies of the viewer and the artist occupy five years simultaneously, misaligned. Regular exhibition procedures cultivate the upright, polite and expectant viewer-body, and take-down is usually conducted in the privacy of the closed gallery, by the artist or gallerist, dutifully. The first act self-consciously polticises the gaze with respectful distance, whereas the second act mirrors the viewer-body’s perfunctory parade out of the door, at close of play. At the point the artist is witnessed in the process of removal, the window is conveniently placed for a sideways gaze. View to an outside or an awareness of an inside, with or without air, it is a reliable dynamic. You know what artists are like. Permission must to be sought. Friendship… Comradeship… Individualism. Autrui. Circumstances dictate. Sauve Qui Peut (La Vie) Edward Dorrian / |
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